With a clean articulation and a fluid left-hand technique, Beaudry effortlessly picked out sinuous melodic lines and arabesques over insistent ostinato figures, and dispatched a couple of dazzling runs without batting an eyelid. In this piece (Suite from Domeniconi) as in the stunning performance of a fiendishly difficult study (No.12) by Villa-Lobos, he demonstrated an assured left-hand technique, gliding swiftly up and down the fingerboard with absolute control.